Showing posts with label Soto Zen Buddhism. Show all posts
Showing posts with label Soto Zen Buddhism. Show all posts

Monday, 4 March 2013

GOING ON BEYOND 6: DOGEN, MYSTICAL REALIST (A SOTO ZEN PERSPECTIVE)


At ChristChurch, Clarendon Park, for the sixth session in the course, "Going On Beyond: Meditation and Mysticism in the World Faiths". This nine-week course is an interfaith opportunity presented by Christians Aware, as part of its Faith Awareness programme. It is presented in association with Leicester Serene Reflection Meditation Group.

This evening our topic is 
"Dogen: Mystical Realist". Kevin Commons and Ian Grayling, from the Serene Meditation Group, present a Soto Zen perspective on our theme. Kevin distributes a handout, reproduced below:

Origins of Zen Buddhism
After years of trying various practices Shakyamuni finally just sat under the Bodhi tree, experiencing all manner of thoughts and images, until the morning star appeared, at which point all thought dropped away, and he experienced Enlightenment, and became the Buddha.  He was prevailed upon to teach and, over time, gathered a large following of disciples, to whom he regularly unfolded aspects of his teaching.  One day, on Vulture Peak Mountain, instead of talking, he just held up a flower and Mahakashyapa, one of his main disciples, smiled, indicating his understanding of the essence of the teaching.  This incident is regarded as the foundation of the Zen form of Buddhism, which involves the transmission of the teaching “outside the scriptures”.  The point is that, although there are lots of Buddhist scriptures, in the Zen tradition scripture study does not, in itself, result in realising the heart of the teaching.  Direct experience, beyond words is necessary for this.  This form of Buddhism was taken to China by the Bodhidharma, and maintained by a succession of Chinese patriarchs, including Hui-Neng, who had held the lowly position of kitchen assistant at his monastery and was believed to have been illiterate.
Dogen’s early childhood (1200-1212)
At the time of Dogen’s birth the Japanese nobility had become steeped in aesthetic refinement.  This inspired a sense of the transience of beauty, and so focused on the aesthetic, rather than ethical, aspects of religion.  Consequently, they were indifferent to the lot of the masses.  His birth was also preceded by the establishment of feudalism in Japan and the rise of the Samurai class.  In a time of political chaos, many Buddhist monasteries’ concern about their wealth, prestige and power was to the detriment of their moral, intellectual and religious activities.
Though Dogen’s father died when he was two, the death of his mother when he was seven had a bigger impact, as she had requested, on her deathbed, that he should become a monk in order to seek the truth of Buddhism and strive to relieve the sufferings of humanity.  This imperative prevailed against his uncle Moroie’s wish to name him as his heir and to establish him in a career as an aristocrat.
Apprenticeship in Buddhism (1212-1227)
Dogen was ordained in 1213 and began a systematic study of the Buddhist scriptures.  This led him to this seemingly insoluble spiritual question:
“As I study both the exoteric and esoteric schools of Buddhism, they maintain that human beings are endowed with Dharma-nature by birth.  If this is the case, why did the Buddhas of all ages – undoubtedly in possession of enlightenment – find it necessary to seek enlightenment and engage in spiritual practice?”  (Quoted in Hee-Jin Kim (2004) p. 22)
Whilst Dogen accepted the truth of original enlightenment he did question the significance of activities that constitute human existence, which amounted to asking “What is the meaning of existence?”  To seek an answer he studied with various Buddhist teachers, most notably Myozen, who had brought Rinzai Zen from China to Japan .  Yet he still felt dissatisfied with much of the Buddhist teaching in contemporary Japan as his original question remained unanswered so he travelled to China to continue his search in 1223.  He stayed at various monasteries but overall was rather disappointed with the state of Buddhism in China and had decided to return to Japan , when an old monk suggested he should visit Ju-ching, the abbot of Mount T’ien-tung monastery.  Ju-ching was a rigorous practitioner of Ts’ao-tung (Soto Zen) sitting in the shikan-taza (just sitting) form of za-zen (formal sitting meditation) every day, often for long periods.  Unlike his contemporaries he eschewed politics, prestige and financial reward but rather focused on helping his students to see the truth for themselves.  One day Ju-ching admonished a monk who had fallen asleep during meditation with the following words:
“In za-zen it is imperative to cast off body and mind.  How could you indulge in sleeping?” (Quoted in Hee-Jin Kim (2004) p. 36)
The remark shook Dogen to his core and he experienced an inexpressible ecstatic joy that engulfed his heart and Ju-ching acknowledged the authenticity of Dogen’s enlightenment experience.
“To cast off body and mind did not nullify historical and social existence so much as to put it into action so that it could be the self-creative and self-expressive embodiment of Buddha-nature. In being “cast off”, however, concrete human experience was fashioned in the mode of radical freedom – purposeless, goalless, objectless, and meaningless.  Buddha-nature was not to be enfolded in, but was to unfold through, human activities and expressions.  The meaning of existence was finally freed from and authenticated by its all-too-human conditions only if, and when, it lived co-eternally with ultimate meaninglessness.
What was taking place in Dogen’s mind was a radical demythologising and in return remythologising of the whole Buddhist symbol-complex of original enlightenment, Buddha-nature, emptiness, and other related ideas and practices.  The crux of his vision lay in a realistic affirmation and transformation of what was relative, finite, and temporal in a nondualistic vision of the self and the world.  To understand duality lucidly and to penetrate it thoroughly within a nondualistic mode of existence was Dogen’s final solution.  His remaining life consisted of his intellectual, moral, and cultic efforts to enact and elucidate this vision in the specific historical and social conditions of his time.” (Hee-Jin Kim (2004) p. 37)
Return to Japan (1227 to 1253)
This experience answered Dogen’s question about the meaning of existence.  In 1227 he returned to Japan to transmit the ancestral line of his teacher to his own countrymen.  In the same year he composed Fukan zazengi “Rules for Meditation”, (Appendix) which can be regarded as a manifesto for the teaching he proclaimed.  He stayed at Kenninji temple until 1230, when he moved to an abandoned temple called An’yoin, where he composed the Bendowa chapter of the Shobogenzo, which expanded his teaching in the Fukan zazengi.  In 1233 he moved into Kannon-doriin temple, which was expanded over the next ten years, and wrote 44 more chapters of the Shobogenzo and took on Ejo as a disciple, who helped with the administration of the temple and its development.  He opened the monastic community of the re-named, expanded, Kannon-horinji temple to everyone regardless of intelligence, social status, sex or profession and abolished the separation between monks and lay people, writing:
“It (enlightenment) depends solely upon whether you have a sincere desire to seek it, not upon whether you live in a monastery or in the secular world.” (Quoted in Hee-Jin Kim (2004) p. 42)
However, he did put the bulk of his effort into developing monastic training and his lay disciples built the Daibutsuji temple in a secluded mountain area.  He moved there in 1244 and., two years later, changed its name to Eiheiji (temple of eternal peace) under which name it survives today.  He spent much of his later years establishing the detail of daily life and practice for his monastic community.  In 1253 he appointed Ejo as his successor and finally succumbed to illness that he had experienced for about 3 years.  He died sitting in the zazen posture.
Much of the material about Dogen's life comes from: Hee-Jin Kim's Eihei Dogen: Mystical Realist Wisdom Publications (2004). You can find a review of the book online in the Journal of Buddhist Ethics.

After an hour or so of the session, we're invited to dry a bit of zazen - "just sitting" - meditation. We can sit on the floor, with various kinds of stools or cushions for support or remain in our chairs (as I do) and face the wall for ten minutes. Eyes open, not struggling against any thoughts which may arise, but not deliberately engaging with them if possible. I don't think I'll be able to last that long without falling asleep, but I find it surprisingly easy - and refreshing.

Monday, 6 February 2012

MINDFULNESS & WISDOM 4: THE PLACE OF WISDOM IN THE SOTO ZEN BUDDHIST TRADITION


At ChristChurch, Clarendon Park, for the fourth session in the course, "Mindfulness and Wisdom". This eight-week course is an interfaith opportunity presented by Christians Aware (as part of its Faith Awareness programme) in association with Leicester Serene Reflection Meditation Group.


Our topic this evening is “The Place of Wisdom in the Soto Zen Buddhist tradition”, presented by Revd Master Saido Kennaway. Revd Kennaway is a member of the Order of Buddhist Contemplatives. We're grateful to him for having driven here from Telford Buddhist Priory tonight, as the roads are still treacherous in places, with the recent freezing weather.


Wisdom, in a Buddhist sense, combines right understanding and right intention. There is no distinction in the Soto Zen tradition between practice and realisation: it’s not about practising in order to reach enlightenment.

Our speaker refers to five skandhas ("aggregates", "constructs" or “heaps”). The skandhas may be thought of as components that come together to make an individual. Every thing that we think of as "I" is a function of the skandhas. Put another way, we might think of an individual as a process of the skandhas, which may be delineated as follows (explanations taken from About.com.Buddhism):

The first skandha: form (Rupa)
Rupa is form or matter; something material that can be sensed. In early Buddhist literature, rupa includes the Four Great Elements (solidity, fluidity, heat, and motion) and their derivatives. These derivatives are the first five faculties (eye, ear, nose, tongue, body) and the first five corresponding objects (visible form, sound, odor, taste, tangible things). Another way to understand rupa is to think of it as something that resists the probing of the senses. For example, an object has form if it blocks your vision – you can't see what's on the other side of it – or if it blocks your hand from occupying its space.

The second skandha: sensation (Vedana
Vedana is physical or mental sensation that we experience through contact of the six faculties with the external world. In other words, it is the sensation experienced through the contact of eye with visible form, ear with sound, nose with odor, tongue with taste, body with tangible things, mind (manas) with ideas or thoughts. It is particularly important to understand that manas – mind – in the skandhas is a sense organ or faculty, just like an eye or an ear. We tend to think that mind is something like a spirit or soul, but that concept is very out of place in Buddhism. Because vedana is the experience of pleasure or pain, it conditions craving, either to acquire something pleasurable or avoid something painful.

The third skandha: perception (Samjna, or in Pali, Sanna)
Samjna is the faculty that recognizes. Most of what we call thinking fits into the aggregate of samjna. The word "samjna" means "knowledge that puts together." It is the capacity to conceptualize and recognize things by associating them with other things. For example, we recognize shoes as shoes because we associate them with our previous experience with shoes. When we see something for the first time, we invariably flip through our mental index cards to find categories we can associate with the new object. It's a "some kind of tool with a red handle," for example, putting the new thing in the categories "tool" and "red." Or, we might associate an object with its context – we recognize an apparatus as an exercise machine because we see it at the gym.

The fourth Skandha: mental formation (Samskara, or in Pali, Sankhara) 
All volitional actions, good and bad, are included in the aggregate of mental formations. How are actions "mental" formations? Remember the first lines of the dhammapada (Acharya Buddharakkhita translation):
“Mind precedes all mental states. Mind is their chief; they are all mind-wrought. If with an impure mind a person speaks or acts suffering follows him like the wheel that follows the foot of the ox."
“Mind precedes all mental states. Mind is their chief; they are all mind-wrought. If with a pure mind a person speaks or acts happiness follows him like his never-departing shadow.”

The aggregate of mental formations is associated with karma, because volitional acts create karma. Samskara also contains latent karma that conditions our attitudes and predilections. Biases and prejudices belong to this skandha, as do interests and attractions.

The fifth Skandha: consciousness (Vijnana, or in Pali, Vinnana)
Vijnana is a reaction that has one of the six faculties as its basis and one of the six corresponding phenomena as its object. For example, aural consciousness – hearing – has the ear as its basis and a sound as its object. Mental consciousness has the mind (manas) as its basis and an idea or thought as its object. It is important to understand that consciousness depends on the other skandhas and does not exist independently from them. It is an awareness but not a recognition, as recognition is a function of the third skandha. This awareness is not sensation, which is the second skandha. For most of us, this is a different way to think about "consciousness." It is also important to remember that vijnana is not "special" or "above" the other skandhas. It is not the "self." It is the action and interaction of all five skandhas that create the illusion of a self.

Revd Kennaway emphasises the significance of two well-known, much-loved and oft-used pieces of Buddhist scripture which foreground wisdom:
Diamond Scripture (or Sutra) its Sanskrit name more fully translated as "The Diamond Cutter of Perfect Wisdom" (so called because it cuts away at everything)
Heart Scripture (or Sutra), its Sanskrit name more fully translated as the "Heart of the Perfection of Transcendent Wisdom" (recited every day)

Several questions arise from our group work, which are put to the speaker, including these:
"What is the point of all this? Is there a destination or is it all theory for theory's sake?"
"Can the Buddhist view, that the highest goal is emptiness, accord with the Abrahamic moral good?"